NAPACHIE ASHOONA
Napachie Ashoona was born on
When Napachie was a small child, he used to watch his father carving and occasionally would help him sand or file. With a lot of patience and help from his father, he soon learned how to handle the stone. Undoubtedly, Kiawak had a very strong influence on Napachie, both in style and thematically. Like his father, Napachie enjoys carving human body in action. With their expressive and very detailed faces, and bodies in full motion, Napachie's hunters and drum dancers are very reminiscent of Kiawak's work, but they lack the Master's technical control in representing the volume. Napachie has yet to explore the rich world of Inuit mythological imagery , so present in his father's work.
Napachie carves in the local stone called serpentine. It is a very hard metamorphic rock indigenous to
EXHIBITIONS:
November-December 1992 Inuit Sculpture --New Acquisitions *
Pucker Gallery ,
April-May 1994 Mythic Image
Ancestral Spirits Gallery, Port
September 1995 Sedna: Spirit of the
Sea Feheley Fine Arts,
November-December 1995 Miniaturen *
Inuit Galerie,